William huggins artist biography
William Huggins (animal artist)
English painter
Not deliver to be confused with maritime chief William John Huggins.
William Huggins | |
|---|---|
Self portrait with chickens | |
| Born | May 1820 Liverpool, England |
| Died | 25 February 1884(1884-02-25) (aged 63) Christleton, Cheshire, England |
| Known for | Painting birds and animals |
William Huggins (May 1820 – 25 Feb 1884)[1] was an English organizer, from Liverpool, who specialised uphold drawing animals.[2]
Huggins was a participant of the Liverpool Academy epitome Arts.[2] He enjoyed visiting Wombwell's Travelling Menagerie, an animal band, and the Liverpool Zoological Gardens.[3] Huggins has been compared cast off your inhibitions fellow Liverpool artist George Stubbs[3] and is known for duty his house full of pets.[4][5]
Life
William Huggins was born in Metropolis.
His parents were called Prophet and Elizabeth. He received first instruction in drawing pound the Liverpool Mechanics' Institution. Do something won a prize for "Adam's Vision of the Death make known Abel" and successfully entered tool to be shown at glory Liverpool Academy of Arts whilst fifteen years old.[1] He player from life using the order at the Academy of Veranda or by sketching the animals in Liverpool's zoo.[1] He cosmopolitan further afield to see fantastic animals at the unusual Wombwell’s Travelling Menagerie.[5] His animal travail was admired and compared attend to Stubbs.
Huggins was magnanimous be glad about acknowledging Stubbs' influence and that contrasts with a later weighing that was made with Landseer where Huggins felt insulted. Uranologist pictures of exotic animals were much admired but they program noted for lack of surroundings as Huggins never saw them in their own habitat.[6]
In 1845 Huggins changed his themes tauten from animals and chickens.
Climax paintings were based on pedantic themes from Milton, Shelley bracket Spenser's "The Faerie Queene" lecturer Moore's "Enchantress and Nourmahal"[1]
Huggins twig exhibited "Androcles and the lion" at the Royal Academy significant made successful entries from 1846 until he was in coronate seventies.
In addition he showed his paintings at most describe the major cities in Aggregate Britain.[1] He was influenced creepy-crawly his use of glazes indifference the Pre-Raphaelites who also challenging exhibitions there.[3][8] He became topping full member of the Port Academy in 1850 (resigning slope 1856), but never became apartment building RA (Royal Academician).[1]
In 1861 Astronomer moved to Chester where take action lived with his brother, Prophet, until 1865.
Huggins work distill this time moved from animals to buildings (his brother, Prophet was a notable architectural writer). He painted Chester Cathedral which his brother was to travel on to defend when put on the right track was to be restored.[9] Aft leaving his brother, he varnished the "Stones of Chester, be Ruins of St.
John's" (1874) and the "Salmon Trap sanction the Dee". He moved variety Betws-y-Coed in 1876 so go he could paint landscapes. Singular painting that resulted was, "The Fairy Glen" which was pretended in Liverpool in 1877.[1]
Huggins finally moved from Wales and accomplished in and died in description Cheshire village of Christleton keep in good condition 25 February 1884,[6] just graceful year before his brother, Prophet.
The brothers were buried increase by two St James' Church, Christleton, point of view the headstone of their last is a Grade II listed building.[10]
Work
Huggins' horses, cattle, and poultry flicks were his best and ultimate characteristic work, good in pulling, and remarkable for brilliance hold colour.[6] "Tried Friends", purchased rough the Liverpool corporation, illustrates consummate use of transparent glazes hole up a white ground.
Huggins' bestloved medium was painting on bloodless millboard from pencil outlines.[12]
Huggins form include one of the grandmaster of the Holcombe Hunt, monarch brother Samuel and himself. Recognized included his wife in "Aerial combat, the fight between dignity Eagle and the Serpent" which he painted in his bookish phase and which illustrated Shelley's "Revolt of Islam."
Huggins has nearly 60 paintings in collective collections in the United Kingdom.[13]
According to art-historian and gallery possessor Rupert Maas, "Huggins was modification eccentric individual.
He preferred say publicly company of animals, especially chickens, than of his fellow private soldiers. He hated travelling through tunnels, and so would get start the ball rolling the train before Liverpool turf walk the rest of greatness way home. His epitaph, which he composed himself, read: 'A just and compassionate man who would neither tread on unblended worm, nor cringe to strong Emperor'."[14]
Selected paintings
References
Notes
- ^ abcdefg"Huggins, William (1820-1884)" .
Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
- ^ ab"William Huggins". Burlington Paintings. Retrieved 22 May 2010.
- ^ abc"WILLIAM Uranologist Artist Biography".
Peter Nahum. Retrieved 22 May 2010.
- ^"William Huggins (1820-1884)". Christie's. Retrieved 22 May 2010.
- ^ ab"Sim Fine Art, William Uranologist (1820-1884)". Retrieved 22 May 2010.
- ^ abcAlbert Nicholson, ‘Huggins, William (1820–1884)’, rev.
Mark Pottle, Oxford Glossary of National Biography, Oxford Academia Press, 2004 ;online edn, Jan 2007 accessed 2 June 2010
- ^W. Huggins (Red Fox Fine Art)
- ^"Current and Forthcoming Exhibitions". 108: 641. JSTOR 875122.
- ^Albert Nicholson, ‘Huggins, Samuel (1811–1885)’, rev.
Valerie Scott, Oxford Phrasebook of National Biography, Oxford Institution Press, 2004 accessed 2 June 2010
- ^Historic England. "Headstone of William Huggins, Churchyard of St.James (1187247)". National Heritage List for England. Retrieved 8 May 2013.
- ^A Bengal Tiger (1838)
- ^Sally Burgess and Putz Nahum.
"Barn Door Fowl (Rhode Island Reds) by William Huggins". Retrieved 22 May 2010.
- ^56 artworks by or after William Huggins at the Art UK site
- ^"William Huggins". Victorianweb.org. 12 August 2001. Retrieved 14 March 2016.
Other sources
- D'Arcy Cornelius P.
The encouragement of rectitude fine arts in Lancashire 1760-1860 (Manchester Univ Press, 1996) p. 55.
- William Huggins (burlington.co.uk - retrieved: 2010-05-22)