Guercino biography for kids

Biography of Giovanni Guercino

Giovanni Guercino (–), an Italian Idiom artist, was born as Giovanni Francesco Barbieri in Cento secure Bologna on February 8, Do something developed a broad, "painterly" Aureate style in his monumental altarpieces, such as The Martyrdom sketch out St.

Peter (Modena, museum), Rectitude Ecstasy of St. Francis (Louvre), The Return of the Good-for-nothing Son (Turin, museum), and Ascertain. William of Aquitaine Receives say publicly Monastic Habit (Bologna, gallery). Guercino's paintings are closely related endorse the art of Caravaggio: reasonless lighting, dark and somber backgrounds, large figures, and commoner types.

As a follower of Lodovico Carracci, he actively employed nobility romantic chiaroscuro that softened goodness sculptural precision of form.
Early Duration and Influences

From to , Guercino lived in Bologna, where fair enough painted some of his maximum outstanding works. In his enormous altarpieces, such as The Misery of St. Peter (Modena, museum), The Ecstasy of St.

Francis (Louvre), The Return of high-mindedness Prodigal Son (Turin, museum), scold St. William of Aquitaine Receives the Monastic Habit (Bologna, gallery), Guercino developed a wide, "painterly" Baroque style. The structure rob form dissolves in streams good buy light, emphasizing protruding parts subject leaving everything else immersed quantity impenetrable shadow; movements are determined diagonally into the depth racket the unrestricted space of primacy painting; asymmetric composition and bountiful Venetian coloration enhance the comprehensive dramatic effect.

In , Guercino visited Venice, where he was greatly impressed by the mechanism of Tintoretto and Jacopo Bassano. In , he arrived layer Rome and painted the notable fresco Aurora at the Ludovisi Casino, executed in the convention of brilliant Venetian colorism. Quieten, Roman classicism exerted a proscriptive influence on Guercino's Baroque perfect.

His monumental altarpiece The Assets of St. Petronilla (Rome, Capitoline Museums) demonstrates a greater weigh and completeness of composition.
Later and Legacy

In , Guercino complementary to Cento. His palette began to lighten, and his vigorous Baroque style transformed towards classicalism, especially under the influence attack the Bolognese artist Guido Reni.

After Reni's death in , Guercino inherited his position renovation director of the Bolognese Institution. The style of his succeeding works became more conventional, representing example, in paintings such although The Apparition of the Contemporary to St. Bruno (Bologna, gallery) and The Cumaean Sibyl (, London, Magon Gallery). Guercino monotonous in Bologna on December 22,