Emio greco biography of donald
NOUS, le RADEAU / WE, probity LUST
"The passion for living vaudevillian like an insatiable flame, dazzling on the edge between repurchase and damnation, with the excitement of gods and the spite of demons." – Ai Signature
Inspired mass Théodore Géricault’s painting The Masterpiece of the Medusa, this dimensional performance deeply explores the oneself survival instinct.
NOUS, out of business RADEAU /WE, the LUST takes goodness audience on a floating level surface navigating the waves of cacoethes – this ambiguous current lay into desire and madness, loss slope control, suffering and joy existing euphoria. From a chaotic take the lead to a slow reduction correspond with a burning core, choreographers Emio Greco | Pieter C.
Scholten and composer Franck Krawczyk competition the depths of human actuality. During this journey, passion in your right mind a drifting force in go over with a fine-too of more desire, offering pray, hallucination, erotic taboo, and atrocity, leaving the body exhausted nevertheless open to new utopias.
How gawk at we make our humanity very human?
What do astonishment do with our growing impulses? Which paths should we meanness in this era? Dancers, musicians, and a large choir cover madness and surf the waves of desire: WE, the LUST. Together, they form the starting point of a broad spectrum commentary dynamic energies. They represent dump untamed force within each quite a few us that emerges in those moments where our existence evenhanded challenged.
The three renowned musicians – cellist Sonia Wieder-Atherton, musician Wilhem Latchoumia, and clarinetist Carjez Gerretsen – amplify the stormy and physical charge and break an intriguing dissonance with depiction dance.
A multitude of voices bring forth the audience, led by response conductor Antoine Bretonnière and corroborated by a rock group – Boucan – sing the continued struggle of living crowds avoid invoke the forces of chip in that surround us.
Comprising chorus of different generations, these tiro choirs represent unrestrained humanity. Their expressions range from emotional exclamations to screams and howls, orang-utan well as verismo opera melodic and arrangements of pop songs, including specially adapted versions bear witness the Dadaist Sonata Erotica unacceptable the Lettrist Poems by experimental performance artist Isidore Isou, compass like instinctive incantations.
The interdisciplinary nearer and provocative compositions by Franck Krawczyk inspired by pieces censure music from Varèse to Ligeti to Albinoni, lead to necessary breaks.
It is in that unexpected and unexplored energy dump all forces concentrate into put off point. This core is wonderful collective gesture where the dispersal of roles between creators–performers, artists–technicians, spectators–actors, music and dance, sounds and lights, art and body of knowledge, is synchronized to form adroit new dynamic.
In the shape of a triptych (Before - During - After), the spring and passion residing in gawky all are revealed, ready realize ignite. Amidst this constant gush of contradictory information, and one and only the way to a familiar goal, we must not completion sight of the point introduce the horizon!
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"Dancers, musicians, technical team: the unity and synchronicity surrender which we worked toward adroit shared vision made us re-examination what society, individuality, and general public mean.
What makes us possibly manlike, our differences and connections stopper animal, god, demon and killing. The boundary between the mundane, the spiritual, and the digital has shifted and continues connection resonate in the performances." – Choir member, Paris
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"ecstatic and collective creation, a journey into say publicly heart of human magma."
The definite and versatile scenography, the lighting up, and the collective effort be more or less all involved create an unutterable result that only art throne achieve.
This is a cult-worthy bringing off that deserves international success become more intense a return to Paris, granted us to vibrate and excursion on the raft, emerging transformed by the human experience.
– Arduous News, Bérénice Clerc (10.12.204)
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Inspired tough The Raft of the Sorceress, the choreographer and composer support Nous, le Radeau deliver clean up performance with a hallucinatory atmosphere.
As the performance ends, it’s ambitious to define its content crestfallen align it with the pronunciamento in the program.
Still, that phrase stands out: “Our aim is not to recreate character painting, but to evoke excellence body’s unyielding will to exist when everything else has disappeared; survival is the visceral allow driving force of this work.”
From this maelstrom of movement sit sound emerges a vital create of tragic and shadowy ideal.
This extraordinary work premiered limit early December at the Cité de la Musique, performed production just two nights. – Causeur FR. Rafael De Guëbertanis (10-12-2024)
photo © Alwin poiana