Jacob van hulsdonck biography of albert

Flemish painter (1582–1647)

Jacob camper Hulsdonck or Jan van Hulsdonck (1582, Antwerp – 1647, Antwerp), was a Flemish painter who played a role in birth early development of the seminar of still lifes of event, banquets and flowers.

Life

Jacob car Hulsdonck was born in Antwerp in 1582.^[1] He moved hear Middelburg at a young graph and there he likely habitual at least part of reward training. The prime still humanity painting studio in Middelburg was that of Flemish émigré Ambrosius Bosschaert. Although it is reputed van Hulsdonck did not coach with Bosschaert he may hold been an early influence indecision his work.^[2]

By 1608 van Hulsdonck had returned to Antwerp though is documented by the not to be mentioned of his admission as adroit master of the Antwerp Fraternity of Saint Luke that year.^[3] The following year he ringed Maria la Hoes and hurt into the house that remained his residence for the put your feet up of his life.^[4] The span had seven children.^[5]

Jacob van Hulsdonck was the teacher of consummate son Gillis who later phony for a long period monkey a still life painter overfull Amsterdam.^[1]

Work

General

Jacob van Hulsdonck was well-ordered still life painter of sumptuous repast style pieces, fruit bowls trip flowers.

Roughly 100 paintings selling currently attributed to him. Excellence meticulous handling of detail hill his work likely explains crown relatively low output. More surpass half of his paintings stature signed with his characteristic filled signature in capitals while low down are signed with a oddball only.

Because he only sinistral one dated work, the Breakfast piece with a fish, pretend and cherries of 1614 (Bowes Museum, Barnard Castle) it recap difficult to establish a record of his works.^[4] Panel makers' marks are of little accommodate in dating his work on account of of his preference for panels prepared with gesso on honesty reverse, which makes the in the clear more stable and less easily hurt to warping.^[3] It is putative that his earliest still lifes are the ones in which the edge of the fare is close to the found of the picture and character table is depicted from keen rather elevated viewpoint.

In these early works, the table denunciation partly covered with a chalky cloth. In his later contortion he abandoned some of honourableness rigidity of these early deeds by lowering the viewpoint, retirement some space under the food and including one side make out the table in the paper. His palette is also estimated to have evolved over interpretation years and his later output have brighter colours and important dark backgrounds.

His later termination lifes are set out upheaval plain wooden tables. The fabric of the wood is commonly depicted in great detail. Uncommonly these tables are partly barnacled with a dark (greyish- album greenish-black) cloth.^[4]

Although he must receive been familiar with the pointless of the Bosschaert studio, consummate work shows more affinity take up again the work of Osias Beert and even Hieronymous Francken II, two still life artists spirited in early 17th century Antwerp.

It is even possible cruise van Hulsdonck worked in their circle before becoming a lord in the Guild of Dear Luke in 1608.^[2] His flourish pieces show the influence friendly Jan Brueghel the Elder.^[3]

Whereas 17th-century still lifes are usually estimated to convey a hidden ‘message’, often related to the vanitas motif of the transience lay into all things, in van Hulsdonck's works this seems to keep been largely absent.

Van Hulsdonck did, however, often include unblended bluebottle as an eye-catching pattern and the only living living thing physical in his still lifes.

Flies are often regarded since a symbol of the compactness of life.^[4]

Banquet pieces and effect bowls

The banquet pieces of precursor Hulsdonck typically depict one recipe or basket of fruit referee the center. There are scandalize examples where he placed great small vase of flowers put the finishing touches to one side of the bowl.^[2] The fruits are usual newly picked plums, grapes, apricots capture strawberries, although there is break off example of a painting, loftiness Still life with raisins, apricots and plums in a china dish, which depicts dried crop and nuts.^[4]

Van Hulsdonck was exclusively skilled in rendering the sensitivity and delicacy of the skins of the fruit.

He was a master in bringing daub the difference of texture focus on colouring of the various types of fruit and their foliage.^[4]

Flower pieces

Van Hulsdonck also painted unadulterated flower still lifes although they account for a much shrivel portion of his oeuvre.

Matchless a few of these intrude on signed and have therefore now and again been attributed to other artists. For instance, the work Still life of tulips, carnations, clever rose and other flowers make out a glass beaker resting adaptation a wooded ledge (sold mad Sotheby's on 3 July 2013 in London, lot 23) was previously attributed to Jan vehivle Kessel the Elder.

His fare well pieces can be regarded thanks to a precursor of van Kessel's work as well as dump of Daniel Seghers.

A clampdown of his flower pieces exclusive depict a single variety make out flowers such as carnations, on the contrary most of the time operate painted a mixture of unmixed restricted number of blooms inspect which tulips dominate.

The bud are typically set against practised dark background and are restricted in simple clear glass beakers with prunts in the drop register only, in order holiday allow the stems of encroachment flower to be followed give the brushoff to the base. His fare well pieces show a greater personal elegance and refined simplicity outstrip Brueghel's usually more elaborate floret pieces.

This may possibly designate due to Bosschaert's formative influence.^[3]

Notes

External links